Tagged: Sony

Enhanced CD (1994 – )

An enhanced CD (or ECD) is a Compact Disc that contains both audio content playable on a standard CD audio player, and multimedia content playable on a computer CD-ROM.

Introduced in 1994, the idea behind enhanced CDs was to offer the music buyer some extra bonus features using space on the disc that was unfilled by the music. This might take the form of music videos (similar to the earlier idea of CD Video), interviews, wallpapers, pictures, lyrics, or links to an artists website.

Rather confusingly, there were three different ways on combining the different content on the disc. Prior to 1996, enhanced CDs were created in one of two ways. One was to have the multimedia content in the first track, but this meant that track 1 needed to be skipped when played in a standard CD audio player or else the multimedia track could cause an unpleasant noise to be heard. A subsequent solution was to have the multimedia content in the pre-gap before track 1 (rather like the way a CD-i Ready disc worked). Both of these methods were known as ‘mixed-mode’, combining Red Book Digital Audio and Yellow Book CD-ROM information in a single ‘session’ on the same disc.

To get around the problems of mixed-mode discs, Philips and Sony released the Blue Book standards in 1995, and worked with Apple, Microsoft and the Recording Industry Association of America (RIAA) to develop them. This new standard specified multisession technology that used two sessions on the disc, the first one containing audio tracks, and the second one containing data that is invisible to CD audio players. In 1996, most enhanced CDs used mixed-mode with the multimedia in the pre-gap, but by 1997 most were using Blue Book standards. The only downside to the newer multisession technology was that CD-ROM drives made before 1996 might not recognise them if they were not multisession capable.

Enhanced CDs can usually be recognised the official ‘Enhanced CD’ logo recommended by the RIAA. They may also have the CD EXTRA logo (previously known as CD Plus), which was trademarked by Sony for use on Blue Book discs.

Later technologies like DVD-Audio or DualDisc tried to perform the same function of offering the music album with bonus material such as videos, but later albums often came instead with the videos on a separate DVD-Video.

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MPEG IMX (2001 – 2016)

MPEG IMX (also known as D10) was a standard-definition digital video cassette format introduced by Sony in 2001 and was part of the Betacam family of professional video formats. It was priced between Sony’s Betacam SX and the more expensive Digital Betacam, and was intended to compete with the Panasonic DVCPRO 50 system. As the name suggests, MPEG IMX recorded in MPEG video format, in case MPEG-2 using only I-frames and 8 channel audio.

Like other Betacam formats, tape width was ½ inch and cassettes were available in small or large form factors, with the S size holding up to 60 minutes of video, and the L size up to 184 minutes. To distinguish MPEG IMX tapes from other Betacam formats, the shells were coloured green. Metal particle tape was used.

All IMX video recorders could playback Betacam SX tapes, and some could playback Digital Betacam as well as analogue Betacam and Betacam SP tapes, the video from which could be encoded into MPEG-2 format. Only IMX tapes could be used for recording in IMX video recorders.

Like all Betacam formats, no new MPEG IMX video recorders are being made, having been discontinued in 2016.

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Superbit (2001 – 2007)

Superbit was a variant on standard DVD-Video introduced in 2001 by the Columbia TriStar Home Entertainment division of Sony.

Superbit DVDs used a higher bit rate transfer process to optimise video quality, and always contained both a 5.1 Dolby Digital and DTS soundtrack. The actual increase in bit rate varied according to the space available on the disc, and the bit rate of the standard DVD version (which itself could vary). They were compatible with standard DVD players and so could carry the DVD logo. Due to the extra space required for video and audio data, bonus material is kept to a minimum or not included at all, though there were a handful of ‘Superbit Deluxe’ releases which carried the bonus material on a second disk. The menus were different to those on the standard DVD release, and were kept simple to save space.

Fewer than 60 titles were released in Superbit format, and Superbit releases typically only sold 2% of the amount of the standard DVD version.

By 2007, Sony was promoting Blu-ray and the Superbit line was dropped.

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HDCAM SR (2003 – 2016)

HDCAM SR (Superior Resolution) was a professional high-definition digital video cassette format, introduced by Sony in 2003 as a higher quality variant of its existing HDCAM system.

Like other Betacam-related formats, HDCAM SR cassettes were available in large and small sizes, and had the same tape lengths as Digital Betacam (up to 40 minutes for S and 124 minutes for L tapes).

It used higher particle density tape allowing an increased bit rate (a choice or 440 or 880 Mbps). Like HDCAM, it was commonly used in high-definition television production.

Sony HDCAM SR tapes were black with a cyan lid and contained a 1K memory chip to store metadata about the tape.

In 2016, Sony announced that it was ceasing production of its remaining ½-inch video tape recorders and players, including those for the HDCAM SR format.

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HDV (2003 – 2011)

HDV was a high-definition digital video format for camcorders. Because of its high quality, it has been used for broadcast television as well as amateur video recording. JVC was the first company to release a HDV camcorder in 2003, with Sony and Canon producing camcorders later.

HDV video can be recorded at 720p and 1080p, sometimes referred to as HDV1 and HDV2 respectively.

Although special HDV tapes are available, their use was not required as the tape formulation (Metal Evaporate) is the same as standard MiniDV cassettes. One Sony camera could also use the large DV cassette format. HDV devices could usually play and record in DV format as well as HDV.

Accessories were available to allow HDV camcorders to record to non-tape media such as CompactFlash cards.

By 2011, Canon, JVC and Sony had discontinued their HDV products, and invested instead in fully tapeless formats such as XDCAM.

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Sony Professional Disc for DATA (2004 – 2007)

Professional Disc for DATA (also known as ProDATA) was an optical disc format introduced in 2004 by Sony. It was intended for creating backups of data, and had a capacity of 23GB per side.

It is virtually identical to (but incompatible with) Professional Disc, used for the XDCAM digital video system. However, both formats used blue lasers, and both discs came in protective caddies.

Both write-once and rewritable versions were available.

In 2006, recordable Blu-ray discs (BD-R and BD-RE) became available, and in 2007, Professional Disc for DATA was declared ‘end of life’ by Sony. Since 2009, Sony has also introduced the ability to store data on Professional Discs for the XDCAM system, in a dedicated ‘User Data’ folder.

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Blu-ray Disc Recordable Erasable (BD-RE) (2006 – )

Blu-ray Disc Recordable Erasable (BD-RE) is a high-capacity optical disc that can be erased and re-recorded multiple times, and is a type of Blu-ray Disc that can be read in all Blu-ray Disc drives. The similar BD-R discs can only be written to once.

BD-RE drives can be found in computers and personal video recorders (PVRs).

Disc capacities are 25 GB for single-layer discs, 50 GB for double-layer discs, 100 GB for triple-layer, and 128 GB for quadruple-layer.

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Sony Memory Stick / Floppy Disk Adaptor (2000 – 2001)

The Memory Stick / Floppy Disk Adaptor (MSAC-FD2M) was introduced by Sony in 2000 for use in several of its Mavica line of digital cameras, and allowed the cameras to use a Memory Stick as an alternative form of storage.

The adaptor had the same form-factor as a 3.5-inch High-Density floppy disk, and incorporated a slot for a Memory Stick. The adaptor could be used in PCs (it could also be used in Macs, but was read-only) after installing suitable drivers. The adaptor required two lithium batteries to operate.

In the new Mavica cameras, users had a choice of using floppy disks for storage (as a number of previous Mavica models offered), or a Memory Stick with the adaptor which had the advantage of higher capacity (at the time, this was up to 64 MB).

By 2001, Sony had introduced Mavica cameras with dedicated Memory Stick slots, so an adaptor was no longer required.

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Blu-ray Disc Recordable (BD-R) (2006 – )

Blu-ray Disc Recordable (BD-R) is a write-once high-capacity optical disc, and a type of Blu-ray Disc that can be read in all Blu-ray Disc drives. The similar BD-RE is a rewritable version.

BD-R drives can be found in computers and personal video recorders (PVRs).

Disc capacities are 25 GB for single-layer discs, 50 GB for double-layer discs, 100 GB for triple-layer, and 128 GB for quadruple-layer.

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DVCAM (1996 – )

DVCAM is a variation of the DV format introduced by Sony in 1996, and aimed at the semi-professional and lower-end professional market.

DVCAM uses the same type of tape and compression as DV and MiniDV but at a higher speed (almost 50% faster). In common with all DV formats, DVCAM uses tape that is ¼-inch (6.35 mm) wide. DVCAM uses metal evaporated (ME) tape

DVCAM tapes come in two different sizes. The smaller size uses the same form-factor as MiniDV and can hold up to 40 minutes, which the larger size (which is actually the medium size DV tape) can hold up to 184 minutes.

Technically, any DV cassette can record any variant of DV video.

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Preservation / Migration